When she was a little girl, Liuba came to town with her widowed mother to live in the block of flats owned by her aunt Anna Iwanowna. The wealthy and cold-hearted Anna Iwanowna barely accepted them as tenants. And no sooner did Liuba's mother die than she wanted to send her niece to the orphanage. Fortunately, Pawlin, Anna Iwanowna's janitor, decided to adopt her and he brought her up with affection. When she grew up, the beautiful Liuba fell in love with her aunt's son, Dodja, a good-looking but profligate army officer. Wishing nothing more than an affair with Liuba, Dodja did not hesitate to play the comedy of love to her. When she realized what Dodja was really after, Liuba was devastated and in desperation accepted to marry Pawlin, her benefactor, who had been infatuated with her for years. Alas, in the middle of the wedding party Dodja danced with Liuba and eloped with her

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At the end of the 1950s, four humor specialists simultaneously experienced recognition. Fernandel with “The Cow and the Prisoner”, Bourvil with “The Hunchback”, Jacques Tati with “My Uncle” and Louis de Funès with “Oscar” at the theater. On the big screen or on stage, each of these artists has a unique style of humor. They are the kings of French comedy. But how did they manage to become true box office champions? How did they experience their immense popularity? How do they still influence the comedy genre? And above all, are- are they funny in life? Where is the line between their character in the cinema and their real personality?

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Filmed 5 and 6 November 2020. Argan, suffering from hypochondria, decides to marry his daughter to a young doctor... The troupe of the Comédie-Française, led by Guillaume Gallienne and Bruno Podalydès, excels in this comedy-ballet, which is both a satirical farce and a reflection on death. The direction by Claude Stratz and the original music by Marc-Olivier Dupin breathe new life into this classic by Molière.

Edward is tired of the "allowance" granted him by his older sister, Amanda and becomes impatient for her death, and his part of Father's inheritance. Amanda has suffered from two heart attacks already, and Edward believes the third time will be a charm. To help induce another attack, Edward hires an ex-con nurse, Esther to "scare her to death". However, Esther becomes less than enthusiastic about killing Amanda, but becomes increasingly more curious about the secrets held in the house, including a mysterious third sister, Meredith. An eerie secluded mansion, a tormented recluse, strange psychosexual perversions, a macabre family and a ghastly secret locked away in the attic combine to tell a chilling tale of greed, deceit and murder!

When the silent cinema learned to speak, the audience was surprised not only by the voices of the actors and the sound effects, but also by a new element, the music, which, combined with the dance and an unprejudiced imagination, gave rise to a new genre, as important to Hollywood cinema as the western was: the musical. A journey through the history of this genre, from its beginnings to the present day.

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